By Stan Rogal
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Extra resources for What Passes for Love
My finger was tracing a tiny freckle on her hip. My lips were moving. I was counting. This page intentionally left blank iate-nigntj su This page intentionally left blank H e is the only passenger in the car. Not too unusual. He works until midnight, always has a few beers to unwind, catches the last subway train home. Once in a while he goes the whole trip without seeing a single person get on or off. Once in a while. Though not often. More often there are others. People like him who work late, or party late, or are night-owl/insomniac types, or have nowhere else to go, nothing to do.
Jim fumbles with his belt. 4O home, after all "Earlier. " "Earlier? Oh, yeah. I remember. " "Yeah. Someone's coming by to clean the apartment. " The belt refuses to release. " He gives up on the belt; grips his glass. "That's good. " "Yeah. " He suddenly turns and moves toward the hall. "I feel like another drink. " She toys with the bra strap, then calls out. "Oh, honey? " "Don't worry. " She crawls under the covers, gives the pillow a pat. "Good," she whispers. " exniDition This page intentionally left blank K arl stepped back from the canvas and shrugged.
Or else a phoney blonde packing a chainsaw, or a pack of wild dogs, or a bunch of zombies with blood dripping from their teeth. He should be so lucky. Meaning, when a figure appears on the platform, he is not overly enthusiastic. No bodacious blonde, no crazed mutts or recycled corpses. A woman. A woman reading a magazine. Well, the ground shifts but the game stays the same. Will the car stop in front of her? Will she enter? It does; she does. He picks at a thread in his pants and peeks at her.
What Passes for Love by Stan Rogal