By Catherine Loomis (auth.)
This publication surveys a wide and barely tested physique of early sleek poems, performs, and prose works written to commemorate Queen Elizabeth I.
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Extra info for The Death of Elizabeth I: Remembering and Reconstructing the Virgin Queen
XV, 38–40). ”79 Because many courtiers were making considerable effort to visit the King—he eventually had to ban all postings to Scotland—his presence at the funeral might have distracted the mourners from their work of honoring the Queen. , XV, 53). Despite James’s absence, the funeral needed to be impressive for its purpose was, as Clare Gittings has demonstrated, to “underlin[e] most forcefully the power of the monarchy [and] . . reinforce the stability of society at a moment of potential crisis .
Roger Wilbraham notes the sense of relief felt by all subjects: “the people both in cittie & counties fynding the just feare of 40 yeres, for want of a known successor, dissolved in a minute did so rejoyce, as few wished the gracious Quene alive againe” (54). Anne Clifford Herbert reports that she “went to see and hear” the proclamation, which was greeted “with great joy and triumph” and with some surprise: “This peaceable coming-in of the King was unexpected of all sorts of people” (4). John Clapham’s more censorious version of the reaction to the proclamation may be a sign of his own grief at the loss of the Queen, but it also demonstrates that expressions of mourning were perceived to differ Elizabeth’s Final Days 33 among social classes: “The common people that had been long unacquainted with the change of princes, and being naturally delighted with novelties, showed great signs of joy in hearing a king declared, as though a few hours had blotted out of their remembrance the name of a prince that had peaceably protected them many years” (104).
5 Pigman provides a useful reminder that, according to Renaissance rhetorical theory, the purpose of elegy is to prove the poet’s “own mastery of potentially disturbing emotions” (45), thus providing readers with a model for mastering their own grief rather than a realistic account of the life or accomplishments of the poem’s subject. ”7 Kay argues that the elegies mark a turning point: “The decorums of the Tudor elegy as understood by an earlier generation were clearly coming to seem inadequate to the task of dealing with an event whose meaning was extending beyond the merely narrative or ceremonial” (80).
The Death of Elizabeth I: Remembering and Reconstructing the Virgin Queen by Catherine Loomis (auth.)