By Brad Hill
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Music would also be a lot more boring! None of the songs we like, or the classical masterpieces that have resonated through history could have been composed with only seven notes. ” are expanded to twelve basic notes with the help of sharps and flats, called accidentals. Those new notes, and their notation symbols, are the focus of this chapter. Read on to see how it all works. Accidentals Are No Accident You may have heard of sharps and flats in music. “That singer is always flat,” a friend in a local choir might complain.
In the same way, D-sharp and E-flat sound the same, and are played with the same key—they are just spelled differently when notated in different keys. The following figure illustrates the two possible “spellings” for each black key on the keyboard. Key Thought I’ll tell you a lot more about how to know whether to call a note D-sharp or E-flat in Chapter 9, called “Unlocking Keys and Scales,” in which I introduce keys and key signatures. With all these different note spellings, the question naturally arises: How do you know what to call a black note?
I have to go and complicate a simple issue by devoting an entire chapter to sitting down. In fact there is a right and wrong way of sitting at the piano, and I’m determined to spell it out. This chapter explores and explains such crucial topics as posture, positioning yourself to use the pedals, finding the right placement for a home keyboard, and what kinds of piano benches are available. It’s not the longest chapter in the book, but if you just don’t have the patience for it now, you can always come back later.
The complete idiot's guide to playing piano by Brad Hill