By Jill W. Rettberg
This e-book is open entry below a CC via license.
Selfies, blogs and lifelogging units became very important ways that we comprehend ourselves. Jill Walker Rettberg analyses those and comparable genres as 3 intertwined modes of self-representation: visible, written and quantitative. Rettberg explores subject matters just like the which means of Instagram filters, phone apps that write your diary for you, and the ways that governments and advertisement entities create their very own representations folks from the electronic strains we go away in the back of as we battle through our lives.
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Additional resources for Seeing Ourselves Through Technology: How We Use Selfies, Blogs and Wearable Devices to See and Shape Ourselves
There are fanatics who collect hundreds of their ‘expressions’. It is a system of psychoanalysis via image. The first strip surprises you as you struggle to find the individual you always believed yourself to be. After the second strip, and throughout all the many strips that follow, while you may do your best to play the superior individual, the original type, the dark fascinating one, or the monkey, none of the resulting visions will fully correspond to what you want to see in yourself. (qtd by Pellicer 2010, 92) This testing out of different possible variations of the self is very much present in today’s digital selfies as well.
Com - licensed to npg - PalgraveConnect - 2014-10-03 Selfies can be raw and revealing. They can feel too authentic, too honest. Perhaps running them through a filter to boost the colours, overexpose the skin to hide its imperfections or give them a retro tinge is sometimes the only way we can bear to share these images of ourselves. Putting a filter on our selfies, or framing them by placing them in a blog or an Instagram feed, gives them a distance that makes them new to us. We see ourselves and our surroundings as if we are outside of ourselves, through a retro filter or in the same poses and layouts as we see fashion models or homes in magazine spreads.
In Tietchen’s comparison of O’Hara’s poetry to ‘situationbased microblogging’ (51), he notes that O’Hara’s lunch poems are in this respect not dissimilar to ‘the 140 characters of the tweet that also make it possible to engage in self-authoring while frenetically involved in our quotidian demands’ (49). Seeing Ourselves Through Technology It is unlikely that the people who developed Twitter thought carefully about Frank O’Hara’s poetry, or that Instagram’s developers knew about the daily snapshots of artists like Szucs.
Seeing Ourselves Through Technology: How We Use Selfies, Blogs and Wearable Devices to See and Shape Ourselves by Jill W. Rettberg