By Darnell M. Hunt
Screening the l. a. 'Riots' explores the meanings one information association present in the landmark occasions of 1992, in addition to these made by way of fifteen teams of audience within the occasions' aftermath. Combining ethnographic and experimental study, Darnell M. Hunt explores how race shapes either the development of tv information and audience' understandings of it. within the strategy, he engages with longstanding debates in regards to the strength of tv to form our innovations as opposed to our skill to withstand.
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Extra info for Screening the Los Angeles ’Riots’: Race, Seeing, and Resistance
Thus far, I have employed the race-as-representation perspective to suggest how racial meanings are produced, reproduced and transformed at the macro level. Before the insights of this perspective might be applied to questions of subjectivity construction and viewer decoding, however, the mechanisms behind how race-as-representation influences thought and action at the micro level need to be fleshed out in more detail. To this task I now turn. Race-as-representation and norms Despite criticisms that studies in the ethnomethodology tradition typically adopt non-political stands (cf.
Given the hegemonic role of news media in society, audience opposition (as a precursor to action) necessarily has progressive potential in the on-going war of position. But the realization of this potential, of course, is ultimately dependent upon the content of audience opposition, how well it demystifies the process of hegemony in society. 3 (appendix B) presents a conceptual model highlighting the proposed micro-level process behind the television experience. My focus, of course, is on local television news coverage of the Los Angeles events, and how viewers from different raced groups make sense of this coverage.
From time to time, we all recognize the shortcomings of "race" as a frame for understanding ourselves and others, but we continue to use it anyway. In the end, it seems, a synthesis of Garfinkel (1967), Prager (1982) and Omi and Winant (1986, 1994) provides us with insights for going beyond the static understandings of raced subjectivity so prevalent in mainstream works on race, and for overcoming the dupe/not dupe impasse characterizing debates over media power (cf. Heath 1990). That is, this synthesis provides us with a useful articulation of the link between micro-level action and structure.
Screening the Los Angeles ’Riots’: Race, Seeing, and Resistance by Darnell M. Hunt